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Although I do not follow the catwalks minute by minute, Yes, I like to find out what the account is about in each of the editions. Por eso, I will review the proposals and shows that I liked the most / inspired by spring-summer haute couture 2011 that is being celebrated these days in Paris.

Before anything, show my admiration for the concept of continuing a historical legacy as far as haute couture is concerned, designs that go – or should they go- a little beyond the Ready to wear to show us the ingenuity and capacity of the great, y how to turn dreams, it really is, distant, idyllic, but in the end real, even if it's only on the catwalk and under the spotlights

Christian Dior

As usual, the show hit the catwalk. This is what I think haute couture stands for the most, risk, and convince with proposals out of the ordinary, that we all know as “taxable” but that show the creative and creative talent of the design.

A very dramatic collection, with indisputable fifties touches taken to the extreme. As usual, killer women and shocking volumes, where the red, although it is not repeated to the extreme, yes, what an impact.

Use of colors, calm, but very present / Too many years “the same”

Giorgio Armani Private

As if they had escaped from Tron, Armani Privé has filled the city of light with futurism. Great metallic fabrics, (or satin) and the forms that reinforce that idea of ​​taking a step forward towards science fiction.

Just stridency with metallic / It will be necessary to see it with other lights

Chanel

It is indisputable that it is one of the brands (not to say the most) world famous, and must maintain aesthetic parameters, stylistic and lines to follow but it seems to me that he almost always does things very similar. Perhaps what has surprised me is the use of trousers under classic skirts. Sin duda, Karl sees a white and drenched spring.

great flat shoes / not surprising

Elie Saab

It can be said that the classics never die, and for that reason every year he succeeds. If in the case of Chanel I said that it always seemed similar to me, en este caso, I want to meet again with the magnificent proposals of Saab. A classic touch that turns women into goddesses.

The great appliqués and selected fabrics / low risk

Givenchy

Following in the footsteps of the past collection, a twist is given to the firm's stylistic proposals. Few garments but consistent, where he takes risks with fluorine colors that give vitality to the designs. That, complemented with the great images of birds, they contrast the cheesy and the modern that this signature symbolizes.

Great both front and back / The hat was completely unnecessary

Jean Paul Gaultier

Another of the great stars of haute couture, in this case, it plunges into a sea of ​​dark colors for a spring that is not very springy and full of certainly punk touches faced with the most classic of the Parisian cabaret.

An eclectic touch never hurts / Should have risked more with accessories.

Alexis Mabille

In a parade where the pristine white has stood out, I liked those small samples of eccentricity transformed into touches of color, sparkly…. Spectacular in volumes… example of this, this coat” transparent.

Sin duda, a success the long earrings / Maybe it suffers from a somewhat cheesy air

Bouchra Jarrar

I love that pretended sobriety, and the great cut of shapes in details such as the necks, enhancing a magnificent symmetry. In this case, black stands out.….

One of the best LBD I've seen / very little spring

Fotos: Vogue.es